Sollevare lo sguardo verso l’invisibile. Immagini medievali (Ing. & Fr.)

Looking up towards the invisible

How can we doubt that images were in the Middle Ages much more than what we now banally call an image? The medieval world was gradually filled with material images of all kinds: some painted on the walls, others in the books – the miniatures were so called, not because they were relatively small, but because the minium was the base of their red color – on the windows of the churches, on the altarpieces and pictures of wood; others embroidered or woven (think of the Bayeux Tapestry, which is actually an embroidery) – or carved in bas-relief or high-relief in wood or stone, melted in bronze, silver or gold. Continue reading